Sergio Bruno (Seville, 1985) comes from a family with strong ties to the world of photography, although his path has developed in a self-taught manner. It wasn’t until a period of personal transformation that he began to develop a distinct visual approach, shaped by years of watching films and a gradually cultivated sensitivity.

His work, with a contemporary and cinematic take on the everyday, focuses primarily on urban photography, where he seeks to capture fleeting scenes and reveal underlying messages about modern society.

Among his main influences are Henri Cartier-Bresson, Joshua K. Jackson, and painter Edward Hopper, whose portrayal of nostalgia, isolation, and expressive use of light has had a decisive impact on his way of understanding the image.

In his practice, photography becomes a way to pause, observe, and find meaning in the ordinary. While rooted in urban and documentary photography, his images reveal an introspective layer that goes beyond the purely descriptive.